Plaster of Paris – The fading art
Gohiya A1*
1* A Gohiya, Hamidia Hospital Campus, Bhopal, MP, India.
The treatment of fractures has gone through a drastic change since it’s inception. With development of modern orthopaedics and technological advancements, non-operative treatment is escaping out of armamentarium of orthopaedic surgeons. As the number of plaster of treatments have gone down drastically the residents in the teaching hospitals are not getting exposure to the art and science of plaster treatment. One of the earliest descriptions of casting material was by Hippocrates in 350 BC. He wrote about wrapping injured limbs in bandages soaked in wax and resin [1]. Egyptians were using self-setting bandages, probably derived from those used by the embalmers [2]. Arab physician Rhazes Athuriscus. El Zahrawi (960-1013 AD), described the use of both clay gum mixtures and flour and egg white as casting materials. Starch based casts appear to have been the standard treatment with only minor changes until the beginning of the 19th century with only a few minor changes [3].
In the 18th century, Henri François Le Dran used to soak his bandages with egg white, vinegar and clay powder or plaster [4]. Larrey’s modification was adopted from Don Eugenio de la Penna who bandaged the fracture with linen that had first been moistened with Camphor spirit, egg whites and lead-acetate [5]. Baron Louis Joseph G Seutin (1793-1862) became famous for inventing starch bandages known as “La Bandage Immobile” or “L’Appareil Amidonnee” that consisted of strips of linen or bandages and carton splints, soaked in starch and wrapped around the limb [5,6]. Plaster of Paris is produced by removing the impurities from the mined gypsum and then heating it under controlled conditions to reduce the amount of water of crystallization [7].
There are various accounts describing the origin for the name plaster of Paris. One account mentions King Henry III who visited Paris in 1254 and was so impressed by fine white walls that he introduced similar plastering in England where it became known as plaster of Paris. The first use of plaster of Paris as a cast for injured limbs took place through a technique known as plâtre coulé that became popular in Europe at the beginning of 19th century. This technique involved pouring plaster of Paris around injured limbs encased in a wooden construct. Due to the weight of the construct, the patient was largely confined to bed during the period of fracture healing [1]. In 1839, Lafargue of St. Emilion used fresh warm starch paste mixed with plaster of Paris powder applied to layers of linen strips. That dressing had the advantage of hardening much quicker, reducing setting time down to six hours [8].
Keywords: fading art, technological advancements, armamentarium
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, , , Hamidia Hospital Campus, Bhopal, MP, India.Gohiya A, Plaster of Paris – The fading art. ojmpc. 2017;23(2):1-2. Available From https://ojmpc.com/index.php/ojmpc/article/view/51 |